25.11.05

"Tin Baths and Mangles"

That's the title of the first book from the Tin Bath Writers Group which, if all goes according to plan should be available for the Christmas rush. The book consists of a series of short stories and poems that reflect the varied memories and experiences of the members of the group. Some pieces are reflections on real life events while others are purely works of fiction. Although the group is based in Sailortown not all its members come from that district and this is reflected in the book. Some of the book's contents have a Sailortown perspective while others do not. In general the book is as much a tapestry of Belfast life past and present. Tin Baths and Mangles is dedicated to the memory of Andy McKinney who died suddenly at the beginning of 2005 and it contains a number of pieces submitted by him


The following poem was jointly composed by the members of The Tin Bath Writers Group. As such it has no name but has come to be known as the


"Group Poem".
Where wander now the souls of Sailortown’s lost children,
Now that the tempest has passed.
The salt on my skin tastes of tides and tears
And the sea is calm
Where voices hold me in the stillness of time.
The truth will lead us forward
And the Lord holds me in his palm
As the spire is their welcome and farewell
Where wander now those lost souls of Sailortown?

In search of magic wands
It was hard to say if this was the first time that Pat had felt a sense of loss.A real sense of loss that is. Sure enough, dozens of precious marlies had been handed over to opponents, but usually in a fair game of ringsy and, sometimes, even big hurling matches had gone the wrong way. But those things seemed trivial now and, anyway, they were occasions when Pat had felt that he had, at least, tried his best to play his part in the making of those decisions. This time, the result had been taken out of his hands and that really was a first. It would change things forever in the way that only disappointment can.
Albert had come into Pat’s life by accident. He had been allocated to the eager 13-year-old by a staff nurse at Belfast’s City Hospital. No mention of a surname, just: "There’s wee Albert in the corner, young fella, go over and keep him company".
And that is how it had begun. The friendship, almost kinship, between the eighty something pensioner, a former member of the Orange and Black, and the wee Catholic boy from the Christian Brothers’ school; two individuals, separated by culture and age, who had been thrown together by fate.
Pat remembered their first meeting as he sat in the side ward waiting for Sister to attend to him.He recalled the excitement of joining the Legion of Mary with its local Praesidium and its military style rules and regulations. Everyone at school had said that it was like being in the army with none of the dangers and all of the advantages. One simple task a week to be offered up for the holy souls in Purgatory and full access to the girls at the Sunday night dance in Derryvolgie Avenue. Even the word "Avenue" had sounded exotic and forbidden and, when Pat Drummond from the kitchen house on the big estate, heard that it was situated just off Belfast’s Malone Road, well, he promised to make the most of his new found opportunity.
Tonight, all that enthusiasm had been swept away in a welter of tears.Everything and everybody else in the ward looked the same. The big clock over the little office door read 8pm, the usual swish of nurses tidied and ministered in their angelic but businesslike manner, even old Trevor, known to everyone as Trench Trevor and who shouted "Keep your heads down, the Huns are comin" about ever ten minutes, was in the best of voice. But things had changed.
Pat kneaded the grapes in the paper bag on his lap, crushing them with a new- found anger. "Bring those into wee Albert", his mother had said: "Tell him they’re the good ones and there’s no pips to worry his false teeth about and to enjoy his Halloween."
"I wonder what she’ll say when she finds out what’s happened", thought Pat; "Some Halloween for the wee man with maybe another operation on its way."
He knew that there had been several during their time together, each one more debilitating than the last.
He waited impatiently and fidgeted with the buttons of his school blazer to pass the time, the kind of frantic fidgeting that drove even his long-suffering father to distraction on Sunday afternoons when the new television in the corner held everyone’s attention. It felt just like the first time he had visited. The nervous small talk with the wee nurse from Strabane whom he could hardly understand but who smelt like the Quickies that mother used to clean her face and had a smile that competed with the fluorescent light in the hall. The trailing of his feet in their weighty Tuff shoes as he was escorted into the main ward and led to the bedside of his new friend."Albert, this is Pat, he’s come to read the paper to you. Isn’t that great".
Albert was flat on his back, eyes staring at the ceiling and, even if he could have managed to raise himself up, the heavy cataracts, obvious and evident to all, would have prevented him from seeing more than a shadow of the schoolboy.
"Hello there Albert", Pat had said, a slight trace of that dreaded stammer coming out with his words. "How are you doin"?
The boy had waited for a reply but got only a grunt for his trouble.
"There now, Albert likes you" said Sister: "Sure you’ve made a friend for life."
She turned away about her business and was back to checking the young ones for all the mighty list of things that she said they had not done or had not done properly, while Pat waited for the old man to react.
He didn’t have to wait long.
"What sort of a name’s that? Pat, sure that’s a Fenian name", the old man’s voice was reed-thin but hit the note he wanted as well as any of the woodwind family.
"What are they doin’ sending me a Fenian?"
" I’m only here to read the Ulster for you Albert", said Pat, red in the face and desperate that no-one else should share the embarrassment of their conversation. " And I’m not a Fenian, I’m from the Legion of Mary."
The tinkle of the old man’s laughter echoed through the ward and he rose like Lazarus onto an elbow with a smile as big as a banana.
"Aye, well anyway, sit down and get reading, you can start with the Hatchet Men, how did they do at the weekend?
"Pat sat as he was bid, unfolded the football paper and asked quietly: "Albert, who are the Hatchet Men?"
"My God, they’ve sent me a comedian as well as a Fenian. Crusaders wee lad, Crusaders."
Well, that had been the start and for nearly two seasons, Pat and Albert had shared the trials and tribulations of Irish League football, the highs and lows of his Shore Road favourites and the increasing success of the old man’s beloved Glasgow Rangers.
At first, conversation had been kept to a minimum of course because Albert had explained that he didn’t talk to Fenians as a rule, but would make an exception if they kept to business. But, on more than one occasion, he had asked the boy about his schoolwork and told him to "Work hard now and you won’t have to afterwards".
Even Sister had said that two more unlikely pals she had never met.
The first Christmas, the boy had brought chocolates and a greetings card while the old man had given him a prayer tract presented to him by the hospital’s Baptist Chaplin. Pat had felt hard done by, but his mother and father had said that "the oul so and so was mellowing, if only a wee bit".
"Within the past few weeks", thought Pat: "We’d talked about all sorts of things. How the Prods had saved us all from the Kaiser, how all Prods were round shouldered from carrying Fenians on their backs for so long and how Pat had better get good grades if he wanted to make something of himself.
He remembered the long talk about Miriam, given in disjointed sentences with long pauses between some words and the rolling thunder of others as they rattled from wrinkled lips. Miriam the daughter who had played wee houses in the front garden of York Crescent. How she had laid out kidney pavers as the four corners of her home and commandeered the sweeping brush for hours on end, tending the tufts of unruly grass more gently than a Royal Avenue hairdresser. A handful of jeweled, broken glass was her dowry, he said: And the chipped remains of a wedding tea-set the fortune of babby dishes that would see her into adulthood.
Miriam had come into this world as her mother had left, with squeals and pain and the breath of torment echoing through the first and last breaths of mother and child. But Albert never mentioned Mother again. Only Miriam. Miriam who had collected the Sunday School best attendance prize at Jennymount Church, Miriam with the dark, dolly-like eyes that opened and closed in time with the music of her voice. Miriam, the child of adversity, who promised so much after so much sorrow, the wee cratur who clip-clopped across the kitchen floor in high heels four sizes too big to hand over the weakest tea in Christendom.
Pat heard the stories many times and smiled with deference at the hearing, as he had been taught at home, often with the tawse, stifling a yawn into a hankie on other occasions as if his own mother had been watching scoldingly from the bed-end. But he had listened and an ear for a lonely voice is often the best medicine.
" Miriam died", said Albert one night matter-of-factly: "Died swinging on the lamp. Hit her wee head. Even the bruise on her temple looked like a wee beauty spot when they laid her out in the Co-op parlour." Pat noticed the glaze of fluid over the old man’s cataracts but the voice held firm.
"Probably for the best," said Albert: "Nothing good ever lasts in this world".
Pat had stayed silent and waited for the old man to continue. But he changed tack so quickly that any embarrassment was swallowed by talk of his beloved football."
There’s no men in the game anymore," he said; "Not like my day. There’s too man Ginnyannes running about. Don’t’ know whether they’re blew up or stuffed, the half of them. ‘Cept for Geordie Best a course.
"Pat had laughed as his hero brought them together, as he always did. The twinkle-toed dribbler from the Cregagh Estate always managed to help them to body-swerve ‘round any differences they might have had. "
I only saw the wee man once before my oul lamps went," said Albert; " But I’m tellin’ ye Patrick, he has feet like magic wands."
They had both stared into the distance, one sightless, the other a boy guiding a man down a well-walked road and any separation was a paper wall that disappeared in laughter and exaggeration. They were Bremner and Giles and Law and Best and understanding refereed their differences.
Tonight, all that counted for nothing as the boy’s concern made even the good grapes taste sour. Less than ten minutes previously, Pat had seen Joey, Albert’s canary, being pushed to the side of Trench Trevor’s bed and not a word of explanation.
"Just sit in there and I’ll be with you in a minute", said Sister to him as she swept off like a civilian nun to raise hell in another part of the ward.
Pat’s patience broke after more than half an hour and he went to speak to the canary. "Hello Joey, Hello wee man, where’s Albert tonight then?"
"He’s dead wee lad and keep you head down, the Huns are comin’". It was Trench Trevor, who hadn’t uttered a word of sense on one single Wednesday night in nearly two years, who shouted in his loudest ARP voice.
Pat turned from the cot, with its bars pulled high, and left bird and man caged and silent. He spoke to Sister as she sailed past with an armful of bedpans.
"Oh, sorry about all this, young man", she said curtly: "Albert was buried on Monday, but you can always read to one of the others."
Pat left the hospital in a daze and resigned from the Legion of Mary the following week, without explanation. The Holy Souls would have to fend for themselves and, anyway, he had clicked at his first dance in the downtown Plaza.
But Pat had learned a bit about Prods and Fenians over the previous two years, he’d accumulated a fair amount about the Hatchet Men and, as he would realize much later, more than a little about the intricacies of human nature.
Paul McLaughlin 2003



Tin Bath Writers Group – regular weekly meetings in Society offices, 11-13 Garmoyle Street (above bookmakers) Mondays at 7.30pm. Anyone interested in joining the group should contact Belfast 90 751094 for further details. Everyone is welcome.

source -- Sailortown Cultural & Historical Society

18.11.05

there should be space for people to tell their stories

Brian Campbell was not one to make a dramatic entrance. Not the one at the meeting who raised his hand repeatedly to restate what the three speakers before him had just said. But he was the one you spoke to afterwards to see what thoughts he had on taking the project forward because
he was sure to have them. And not just thoughts but notes too, because for Brian
a pen and notebook were an essential element of dress.

source - An Phoblacht


Obituaries
The Times

November 11, 2005
Brian Campbell

January 4, 1960 - October 8, 2005


Playwright and IRA member who used his writing to explore the bonds and divisions of life in Northern Ireland A political activist and a member of the IRA, the dramatist Brian Campbell wrote several of the most powerful plays to come out of the Northern Ireland conflicts. His first play, Des, about the radical West Belfast priest Des Wilson, received critical acclaim in both Ireland and the UK in 2000. With Laurence McKeown he went on to write The Laughter of our Children (2001), a drama about the 1981 hunger strike, and A Cold House (2003), which focused on the difficulties involved in the Northern Ireland peace process.
Born in 1960 in Coleraine, Campbell moved to Newry in 1968. Having graduated with a degree in engineering from Liverpool University in 1981, he returned to Newry where he joined the IRA. He was arrested in 1986 and charged with possession of explosives and sentenced to 15 years in jail. In Long Kesh Prison he took up writing, studied for a second degree in social sciences and was the founding editor of An Glor Gafa (The Captive Voice), a magazine of prisoners’ writings that developed a huge following throughout Ireland. It was in prison that he met Laurence McKeown. After his release in 1992 Campbell edited the Republican newspaper, An Phoblacht, and he also joined Sinn Fein in Newry.
Des, directed by Pam Brighton for the Dubbeljoint Company in Belfast, heralded a new talent in Irish drama and Campbell was championed by leading critics and fellow playwrights such as Patrick Galvin.
His first collaboration with McKeown in 2000 was Nor Meekly Serve My Time: The H-Block Struggle 1976-1981, a book that contained the accounts of 26 prisoners involved in the blanket protest and hunger strikes. Campbell’s and McKeown’s later two plays toured Ireland and were seen in London at the Hackney Empire. Together they also wrote H3, a film about the 1981 hunger strike, which was screened in Ireland in 2001 but has yet to be shown in the UK. “For Brian there was no distinction between art and politics,” said McKeown. “Each was the other and his application of both was seamless. For him, art existed in the real world. It was all around him. He didn’t have to invent it or distort reality to create it. ‘What is more dramatic than the lives of people in struggle?’ he would say.” Campbell and McKeown also created a ten-part radio soap opera, Up the Road (2003), which was produced by Dubbeljoint for broadcast on Feile FM. Campbell also wrote Tiger Leaping Gorge for BBC Radio 4.




In March this year Dubbeljoint premiered Campbell’s Voyage of No Return, a play focusing on Irish and African cultures set against a background of racism and slave rebellion. As a piece of striking political theatre, Voyage continued Campbell’s practice of using theatre to explore the bonds and divisions experienced by the communities in Northern Ireland. “Drama can help people see the world they live in,” said Campbell. “But it can only be the truth of how the writer sees the world. Whether it brings people together or divides them I don’t know, but drama can challenge people and in any post-conflict situation there should be space for people to tell their stories.”
He had been working on a new play for Dubbeljoint when he died of a heart attack. He is survived by his wife, GrĂ¡inne, and their son and daughter.

Brian Campbell, playwright and activist, was born on January 4, 1960. He died on October 8, 2005, aged 45.
source - The Times

10.11.05

looking forward to . . .

LITERARY CONFERENCE 2005

Ormeau Baths Gallery,Ormeau Avenue, Belfast

'A Nest Of Singing Birds'

Creative Writers Network is hosting the first ever literary conference and exhibition in the Ormeau Baths Gallery, Ormeau Road, Belfast on Friday 2nd (7-9pm) and Saturday 3rd (9.30am-5.30pm) December 2005. The topic of the conference will focus on ‘The Historical role of Literary Art in Northern Ireland: The impact of Literary Art in Northern Ireland and the impact of Northern Irish Literary Art Worldwide’


Friday 2nd December 2005

7pm: Welcome to Conference by Playwright Marie Jones (Stones in His Pockets)

7.15pm: VIP Guest Speaker To Open Conference & Exhibition Photographic Gallery of N I Writers by Darragh Casey & BBC Writers & Poets photographic, visual & audio exhibition

7.30pm The historical role of Literary Art in Northern Ireland: The impact of Literary Art in Northern Ireland and the impact of Northern Irish Literary Art Worldwide

CHAIR: Dr. Eamonn Hughes

Professor John Wilson Foster

Professor Michael Parker

Glenn Patterson

Ruth Carr

Carlo Gebler

8.30pm Q & A SESSION

9pm EXHIBITION & BUFFET (MUSIC: Lowry String Quartet)


Saturday 3rd December 2005

9.30am Coffee & Registration

10.00am Opening of Workshops

Damian Smyth, Arts Council of Northern Ireland

Siobhan Stevenson, Belfast City Council

Performance Poetry - Chelly McLear

11am - 1.00pm Workshops

1.Writing Out of Conflict

Chair: Martin Lynch

Panel: Geoffrey Beattie (Manchester University)

Colin Bateman (Screenwriter)

Richard O'Rawe (author, Blanketmen.)

2. Writing Ourselves

Chair: Moyra Donaldson

Panel: Annie McCartney (Belfast novelist)

Kathy O'Beirne (Dublin)

Loren Niemi (USA)

1.00pm - 2.30pm Lunch

3. Road to Publication

Chair: Mark Madden

Panel: Pat Ramsey (Lagan Press, Belfast)

Deirdre Nolan (New Island Books, Dublin)

representative (Penguin Press London)

representative (PDF Literary Agents, London).

4. Creative Writing As A Social Tool

Chair: Fred Brown

Panel: Jo Egan (Community Theatre, Belfast)

Mike Maloney (Prison Arts Foundation, Belfast)

David Kinchin

Andrea Spencer (Resident Artist, Belfast Hospitals)

4.30pm Feedback and Key Issues from Workshops

5pm -5.15pm Key Issues for CWN to Action Ruth Carr & Jim Johnston

BREAK

5.45pm Social Evening


Welcome by Martin Lynch

At this part of the conference Delegates will be joined by guests from the Seamus Heaney Centre C.S Lewis Symposium

Event Will Include:

Writers Photographic Exhibition Buffet/Wine

MUSIC BY:The famous McPeake Family

source - Creative Writers' Network

Booking form and further details here







Find the Perfect Holiday Gift at Amazon.com Gift Central















7.11.05

from being unable to read a book to writing three of her own

I was written off as lazy and stupid. Over 50 years on, the memory still hurtsMarion Lady Langham endured long years of misery at school, branded "lazy" and "stupid" due to undiagnosed dyslexia, a condition that neither she nor her teachers had ever heard of. On the eve of National Dyslexia Week,the 65-year-old grandmother from Co Fermanagh tells Jane Bell how she went from being unable to read a book to writing three of her own.

THROUGH all her nightmare school years young Marion had never heard the word "dyslexia". Nor had her teachers. Instead words like "lazy" and "stupid" were flung at the child so frequently that they should have lost their sting.Yet, even from the perspective of more than half a century and a lifetime of achievement, the memory still hurts.Now Marion Lady Langham, a successful writer and businesswoman, she feels passionately that dyslexia cries out for early diagnosis and appropriate support.
"I was brought up on a mixed farm in East Africa. My mother's family settled there in 1819 and my parents were both born out there. There were six of us and my sister Julie, 18 months older, had similar problems to me, while the rest were terribly bright and high achieving. I can remember my parents whispering to each other 'Do you think we should put them in different schools?'
"I always struggled painfully at school. My grandmother would say 'Well, somebody's got to come bottom', which may have been well-intentioned but wasn't very helpful."Aged nine I went to boarding school about 300 miles away from our home in Africa. The fact is I couldn't read and I felt I was the only person in the world who couldn't read. Even at my age I still have nightmares about school. I remember us having to read in turn and waiting in dread for my turn to come round. I knew I wouldn't be able to do it. I didn't even know what page they were on. I remember having to stand up. the others were hissing and my face got redder and redder. I stood there not knowing what to do. At last the teacher would day 'sit down, for Goodness sake, you lazy child'. Utter humiliation."
Those days have gone but, of course, the dsylexia has not. "It's not as if dyslexia goes away. You just learn to live around it. You learn to cope."Marion first saw a glimmer of hope when she changed schools. "We had a conventional IQ test. I probably came bottom and was put into a slow learners' group. In the group we had monthly marks and, to my astonishment, I came first. Also, there were only about a dozen of us in a class, rather than about 30, so there was more scope for one-to-one." Marion's relief was palpable but words still laid traps for her. "I can remember making terrible howlers. I can remember a teacher asking about Covent Garden and I put my hand up and said 'It's a nuns' garden' to howls of derision. I'd never even been to England but many of the others came from there."
Marion did eventually go to school in England, a Quaker establishment in Yorkshire, in an unfamiliar country, climate and culture thousands of miles from home. Again it was "a nightmare". Through diligent application she gained four O levels but at 17 was determined to leave school behind. "I was encouraged to do a secretarial course, with shorthand and typing, probably the worst possible course of action. Even if I could read the shorthand back, I couldn't spell the words. People would say 'Use a dictionary'. But I didn't know how. Take the word' 'acoustic' - do I look under 'a' or 'q'? I also had a tendency to transpose numbers, saying '45' for '54'. I felt I was no good at anything, except perhaps needlework. There wasn't even a refuge in sport. I was pretty clumsy and, while ambidextrous, didn't know my left from my right. I played tennis left-handed and hockey right-handed and wasn't very good at either."Early marriage and young motherhood followed.
Marion married at 19 and, by the age of 26, had given birth to all three of her children, having settled in Northern Ireland.One of her children, while clearly intelligent, showed early reading difficulties and she fought against accusations of being a 'fussy mother' to ensure that the necessary support was in place. And she speculates that 'word blindness' had affected an earlier generation. "My mother was probably dyslexic. She never wrote to us while we were away at school. Later, when I asked why, she said she really wasn't able to spell."
Despite the blows to Marion's self-confidence during her unhappy school years, her intelligence and natural business acumen began to shine through. Over the years, she ran a flower shop in Enniskillen, worked in fashion with Jaeger and eventually moved to London during term time to forge a career in antiques, returning to Ulster in the children's school holidays. Now widowed, Marion Lady Langham trades via the Internet,specialising in Belleek pottery and exquisite paperweights.In fact, her passion for Belleek is such that she has penned three books on the subject. Not bad, for a little girl who once cringed with embarrassment over her inability to read.
Dyslexia became a spur. "I struggled but, at the same time, I learned how to find an alternative route. When I couldn't spell a word, I'd find another word to take its place. You become a good lateral thinker."Personal computers, with spellcheck are a godsend, she finds - despite glitches thown up by words like 'weather' and 'whether'.
Occasionally, in personal correspondence, Marion delights in a touch of whimsy. "My dog, a Yorkshire terrier called Flow, writes the letters. She'll put 'Marion's busy on the computer right now so I thought I'd drop you a line...' I 've had a little paw print stamp made. Friends seem to like it! In fact, it's been suggested I have 'Flow's letters' made into a book."
It's National Dyslexia Week next week when the subject will once again be under the spotlight. The British Dyslexia Association estimates that 10% of the population is dyslexic.They are in good company - famous dyslexics include Richard Branson, Winston Churchill, Albert Einstein and Jamie Oliver.With nearly one in four of the Northern Ireland adult population experiencing difficulties with basic literacy and numeracy, undiagnosed dyslexia is believed to be an issue in many cases.Marion believes that, even today, there is insufficient awareness of dyslexia. Early diagnosis and appropriate one-to-one support she considers vital. "It gives people with dyslexia half a chance, it opens doors for them and makes life so wonderful."

• To find out more about dyslexia, contact the British Dyslexia Association on 028 9092 9290.

Jane Bell
jbell@belfasttelegraph.co.uk

source - Belfast Telegraph



I've been thoroughly enjoying a copy of Lady Marion Langham's new book, Encyclopaedia of Belleek Flower Holders, an exhaustive reference covering all periods of Belleek's production in over 120 pages of beautifully illustrated color and black and white images. (Note that the black and white images are few and far between.) This wonderful new reference includes several pieces that have never before been illustrated or even documented, as well as variations to various pieces that you otherwise might not have noticed. There has never been a work on Belleek quite like this, nor as exhaustive in scope.

source - Robert Ruiz

6.11.05

....... and Then Some

From a rich reservoir of inner creative talent, Graham in his new work, 'One Life..And Then Some' has achieved 3 great goals, all in a single volume.
(1)It's Inspirational. 'Reaches The Heart';
(2)It's Informative. 'Unearths the Hidden History of Days Gone By'; Graham makes the past alive and real again!
(3)It's very Educational 'Truth is Our Best Teacher'.

source - Barnes & Noble


A prodigal son?
One of the most gripping stories in the Bible is that of the Prodigal Son, which may have a moral for all too many of us. The New Testament story, of course, concentrates on the forgiveness of the father rather than the excesses of the son. A recently published book by an American cleric living in Northerrn Ireland has echoes with this Biblical drama. However, the second volume of the Rev Gordon Graham's autobiography entitled, One Life... and Then Some, takes us only on the racy journey of the earlier years.It does not quite reach the mature redemption which eventually led him into the Christian ministry and, in his latter years, to his appointment as a clergyman in the Church of Ireland Diocese of Down and Dromore.
Graham has had an eventful life, which is succinctly described thus: "In this volume of the 1950s, Gordon experiences political, sexual and spiritual awakenings; he defends academic freedom at Harvard, journeys across America and Europe into cathedrals, auto assembly lines, migrant stoop-labour fields, vagrant jail cells, New Orleans and Neopolitan brothels, military counter-intelligence in Cold War Germany, civil rights initiatives, Congressional lobbying, Christian Ecumenical ventures, and finally to marriage and a wedding reception in the garden of Washington's British Embassy."All of this, and we are only at Volume Two of his story.
This is the unexpurgated account of a young man growing up, but written in a style where little or nothing is left to the imagination.Many young men of the Fifties might have a similar, if less colourful, tale to tell, but would not want it recounted in quite the same ultra-open way.This volume was written primarily for the 50th reunion of his Harvard Class of 1955, and what might read like a ripping yarn to Graham's classmates could also be an altogether too graphic an account for those who do not personally know the man - who may well be a sensitive and decent soul hiding inside an apparently thick skin.
Perhaps, of course, it is the American way of hollering from the rooftops , and telling it the way it seemed to have been. However, in little ole Northern Ireland in the mid-to-late Fifties there was a convention, as I recall, that young gentlemen did not talk abut their sexual conquests, much less name names.I am not sure that total exposure to such experiences is enhanced with time.
The book, which has its illuminating moments of self-mockery and repentence, has a literally saving grace as Graham records how he could never quite shrug off his spiritual awakenings. There is a parallel here with the Francis Thompson poem about the sinner's vain attempt to flee from God in The Hound of Heaven. Thompson, of course, does it rather better.Graham records early on that his reading of the Modern Library edition of Dostoievsky's classic, The Brothers Karamazov, began his journey "back to some religious faith," but the fulfilment of that journey must await until a volume three, if and when it appears.
It is an achievement in itself for anyone to have a book published, and people are always fascinated by the redemption of any prodigal son, American or otherwise.I might even suggest a title for volume three: 'Father Forgive Me,' but I would urge Graham to tighten his writing style, which is greatly discursive, while a rubble of acronymns litters his literary landscape.
In the meantime, I wonder what his fellow-clergy in Down and Dromore, not to mention the laity, will make of this latest volume. Thankfully, in Northern Ireland we no longer place clergy on impossible pedestals - well, very few of them - but I'm not sure how many of the faithful would wish to read about such details of a redemption journey. We all know that the prodigal's pool was murky, but we do not necessarily need to wallow in the water to get the point.

THE PRODIGAL SON
One Life... and Then Some
by Gordon Graham
Xlibris, £21 hardback, £12.50 paperback

Alf McCreary,Religion Correspondent
newsdesk@belfasttelegraph.co.uk

source - Belfast Telegraph

2.11.05

fine words

Holywood Writers are an independent group, with their own constitution, meeting fortnightly in Holywood Library. They currently have 20 active members, and are always ready to welcome new blood, whether new or experienced writers. Anyone interested in membership, or indeed in commenting on the book, can contact them via the Library or by e-mailing holywoodwriters@yahoo.co.uk

Unbuttered Parsnips is the Holywood Writers’ third anthology since the group was formed in 1992. It has just over 100 pages containing around 70 items – stories, essays and verse – from 18 group members. The title is taken from the old saying, ‘Fine words butter no parsnips’!
The cover price is £5, with all proceeds going to NI Chest, Heart and Stroke Association;thus far, sales have raised just short of £1000. For various reasons neither the Library nor NICHSA are able to handle direct sales, but the book can be purchased at the Camphill shop in Holywood and at Jenny Lendrop's new shop in Abbey Street, Bangor.
It will also be available at the ‘Friends of Holywood Library’ book sale being held in the library on Friday 4 November and Saturday 5 November during normal opening hours.
Alternatively, sales enquiries can be sent to holywoodwriters@yahoo.co.uk

Glassy Papers I wasn’t a natural stealer. I just loved bright things, play things we didn’t have at home. Rosanne O’Reilly brought in beautiful things in her swanky school bag. A skipping rope with hard handles, a red coloured pencil, and then one Monday, a bag full of crinkly coloured papers. Glassy papers, we called them. Look through them and the whole room - even the teacher - turns purple,green or gold.


The Old Engine Works

It must be fifty years since last I stood

And caught my breath in awe at this shed’s size

So full of action, steam, noisy labour

Steel-rivet-pillared to the fan-lit sky.


Guardian Angel Like many people, in my old age, I keep to the habits of childhood. I do not mean by that that I have reached my second childhood, however near it may be. One of these habits is to say a prayer to my Guardian Angeleach night before I go to sleep. Now no-one, to the best of my knowledge, has ever actually seen an angel, except myself, of course, as you will see as this story progresses.

The Impulse

I just had to do it, I’ll never know why

The moment was past in a flicker

When I heard “Kiss the bride”, I threw back my veil

And planted one right on the Vicar



Miss Cunningham’s Christmas Eve Jane looked at the clock and sighed happily. Plenty of time to get ready before Charlie arrived. Her decorations looked even better this year. She counted her Christmas cards, (25 in all – placed at strategic points in the old living room) and congratulated herself on her foresight to store cards over the years.

Cobblestones

Our road was made of cobblestones

Like loaves of bread without the wrappers on

Edge to edge and side by side


A Brush Too Far Some people have been attacked by wild animals, some by man-eating sharks, others claim to have been assaulted by aliens, but as for me – I was attacked by a brush – or to be more precise, by three huge luminous blue brushes! Let me explain.


A Christmas Tale The little group wound its way slowly through the dark village, weariness etched on their faces. The two little girls were staggering under loads too heavy for their puny frames. The older woman, leaning heavily on herstick, was bowed down by a heavy rucksack. The younger woman bore the brunt of the load, and although she too looked strained, there was a certain buoyancy in her step and a glint of anticipation in her eyes. They were coming home for Christmas.

Moving On

It’s winter an’ it’s freezin’

And we need a beg o’ coal.

But we haven’t gat the money

For my Sammy’s on the dole.

I owe the milkman half a crown

An’ five bob at the corner shap.

She says if I don’t pay somethin’ soon

My tick’ll have to stap.


Dear Mr Shufflebottom Dear Mr Shufflebottom,We thank you for your recent letter and are concerned to learn of the problems experienced with our ‘Easy Rider’ chair. It is a matter of deep regret to us that your uncle suffered a mild concussion and that damage was caused to the ceiling, and we are not unsympathetic to your request for compensation.


The Outspreading Wings

There is a lovely fable

It may or may not be true;

As well as I am able

I’ll relate it now to you.

The father Eagle for a test

To teach the young to fly,

Topples him from out the nest

Like a stone dropped from on high.


Grandad’s Secret Stories Grandad was full of stories. Every Sunday, the family would meet at his little widower’s cottage. While the adults talked and laughed, he’d gather us youngsters round him, an adoring audience of fresh, eager imaginations absorbing his wonderful plots and characters. He reserved secret stories too, if ever one of us might be alone with him.

He’s Gone!

There once was a wee leprechaun

But sadly – he’s finished, he’s gone!

He was tiny and green

And couldn’t be seen

When my husband mowed over the lawn.


An Hour Later ... It promised to be one of those days that we like to imagine typical of an English summer. I had bought my morning paper from the village shop and eased myself on to the bench by the pond; you know, the one by theHare and Hound. I did this every morning when it wasn’t raining. I was about to start the crossword while my mind was still active but I sat back for a moment or two, simply to capture the peace and tranquillity before the start of the working day.


Namaste

Look at me and see me.

Hold me with your eyes,

Touch hearts!

Join me in this moment

Tracing feelings, touching souls.

Look at me and see me

As I crystallise before you.



Here’s To You, Mrs Robinson! Mrs Robinson was a rather staid lady, quite resigned to her simple life since she had been widowed three years ago; enjoying her young grandchildren,playing chatty bridge and pottering about in the garden. She had many women friends to go out and about with, and the fires of passion had quietly dwindled away for lack of fuel and she was happy for it to be so.The last thing she expected was a naughty old log turning up to rekindle those slumbering flames.

Dandy Lions
Dear daft Dandies,
We loved you in our back yard.
Your bright yellow spots of plushy sward,
stood up on green straws, splashing ochre
like hairy yolks. Landing pad
for wee winged visitors and crawlies,
giving us a dome to watch our prey.


friendsreunited . com
From fido ferguson @ hot mail . com
To moby dickson @ aol . com
Hallo there. I noticed your name on the list for the Academy class of ’68 reunion on friendsreunited website. Are you by any chance the Dickson who used to sit at the back of Spotty Gibson’s Geography class becauseyou got your longitude mixed up with your latitude?





1.11.05

true Brit Lit

Crusoe's Secret is a wide-ranging collection of essays on major authors and texts from the sixteenth to the twentieth centuries. More than a loose gathering, it offers a series of explorations and readings in the culture of English dissent, whether focussed on canonical works - Paradise Lost, Robinson Crusoe, Clarissa - or moving between epic and novel, lyric, tract and drama. Tom Paulin engages with the great dissenting voices from Bunyan to D. H. Lawrence, and he casts new light on others - such as Clare or Kipling or Hopkins - whose work was touched by dissent, often in secretly generative or transformative ways. The Radical tradition has long been understood as integral to the making of the English working class, but Paulin restores a sense of how vital to middle-class print-culture were the civic, discursive and utopian intuitions of Dissent.
Crusoe’s Secret continues the investigations of Day-Star of Liberty, Paulin's previous study of William Hazlitt and his milieu, and it fans out to include salient Irish examples: Sheridan and Synge, Yeats, Joyce and Heaney.Tom Paulin's most intricately plotted collection of essays so far, even as it avoids any single plot or overarching idea, Crusoe's Secret moves through a landscape of example and anecdote, of minute particulars and things 'hidden in daylight'.
Above all, in its marriage of a historical vision to close critical readings, Crusoe's Secret locates Paulin himself in a line of exemplary readers, including William Empson and the late Edward Said, for whom biographical and historical awareness complement aesthetic enquiry, and in whose awakened rhythms can be heard the speaking voice of prose.

source - http://www.faber.co.uk/xview_book.cgi?book_id=61462&genre=3&subgenre=0



TOM Paulin is such a familiar face that it is easy to forget what an exotic creature he really is. As he grumps away on Late Review, there is something comfortably Oxonian about his approach. His harsh Belfast tones also somehow suit the grimly negative attitude, as though only a voice soaked in the gloom of Northern Ireland could brook such little nonsense. But he really is an odd case if you listen to what he has to say. He represents a very particular strain in British culture: Unionist, Protestant, republican (ie anti-monarchy), nonconformist, libertarian and left-wing.

Not only is he practically the only Protestant Unionist to break through the fame barrier on the mainland, but the strange contradictions of his character make for a bizarre reading experience. His new book - a collection of his essays and reviews on literary subjects - is highly readable and instantly recognisable as Paulin, with its chunky, thick and clattery English and its grim and gruesome view of the world. Every poem he looks at, however charming and pastoral, turns out to be 'really' about war, revolution or republican angst. Paulin uses the reviews to seek out his own peculiar tradition, his band of heroes, the writers who are his favourite guys. Unfortunately, the odd and eccentric readings he presents give the impression that all of these figures - be they Blake, Defoe, Hazlitt or Lawrence - are versions of Tom Paulin. They are precursors to his peculiar brand of republicanism, Protestantism, dissent, etc. There are some very forced and unnatural interpretations in this book. A typical example: to prove that Wordsworth's 'Tintern Abbey' is a republican poem, Paulin goes to enormous lengths to show that Wordsworth uses the same words as Milton, a known republican. Fair enough, except that the words Paulin chooses are simple ones like 'din' and 'disturb', hardly allusions at all, just plain English. Of the hundreds of allusions from one book to another which Paulin tries to establish, only a tiny handful hold any water at all. All the connections he makes are based on such astonishingly flimsy evidence. So far, so academic, and this is a set of academic reviews. But he is trying to establish a dissenting, puritan tradition at the heart of English culture - an Irish Unionist one at that. The fact that Paulin has to resort to such desperate measures is maybe indicative of some level of delusion.

There are good things in the book: he writes beautifully about his two real heroes, Hazlitt and Edward Said. The potted biographies of John Clare and John Bunyan are a model of the genre: incisive, economical, always bristling with energy. The sheer persistence of his argument that true Brit Lit is dissenting and freedom-loving is touching, even inspirational. The attempt to show ordinary readers how to read complex prose and poetry is admirable, though I for one do not buy his line on sound patterns one little bit (all that attention to the "uhs" and "oos" is embarrassing and unconvincing). Still, Paulin is an institution in this country - a table-thumping, disputatious rogue - and long may he prosper.

source - http://scotlandonsunday.scotsman.com/thereview.cfm?id=2167342005

Tom Paulin was born in Leeds in 1949 but grew up in Belfast, and was educated at the universities of Hull and Oxford. He has published seven collections of poetry as well as a Selected Poems 1972-1990, two major anthologies, two versions of Greek drama and several critical works, including The Day-Star of Liberty: William Hazlitt's Radical Style. Well-known for his appearances on the BBC's Late Review, he is also the G. M. Young Lecturer in English Literature at Hertford College, Oxford.
Crusoe's Secret

Minotaur: Poetry and the Nation State

Seize the Fire

Selected Poems 1972-1990

The Day-Star of Liberty

The Faber Book of Vernacular Verse

The Invasion Handbook

The Road to Inver

The Secret Life of Poems

The Wind Dog

Thomas Hardy

Thomas Hardy (Poet to Poet)

Writing to the Moment

source - http://www.faber.co.uk/xview_author.cgi?author_id=7163&genre=3&subgenre=2